Ingrid’s Husband
How the living haunt themselves is Ingrid’s Husband’s concern, and the author discovers his spirits through an imagery of absences – a child’s signature in the dust of an old guitar; the stone plinth where a café once stood; a white balloon drifting down a shopping arcade; a chateau, still furnished with the belongings of its vanished owner …
Seren, 2007
www.seren-books.com
See also Mari d'Ingrid, below
|
Ingrid’s Husband:
www.seren-books.com
|
The Slipped Leash
The choices we make - between music and silence, impulse and security; between the “torn land” and the “dazzling sea” - feature strongly in this new collection of poems by Paul Henry. A twenty-first century...
Seren, 2002
www.seren-books.com
|
The Slipped Leash:
www.seren-books.com
|
The Milk Thief
The Milk Thief is time - as it colours the lives of the characters and relatives who feature in Paul Henry’s new collection of poems. The first two sections of the book are set primarily...
Seren, 1998
www.seren-books.com
|
The Milk Thief:
www.seren-books.com
|
Captive Audience
Private and public worlds collide in this second collection of poems by Paul Henry. A cast that includes, amongst others, butchers, teachers, hairdressers, mechanics and town planners sustains this poet’s awareness of human strengths and frailties ...
Seren, 1996
www.seren-books.com
|
Captive Audience:
www.seren-books.com
|
Time Pieces
Time Pieces is Paul Henry’s debut collection of poems. Clear-eyed, compassionate, and concerned, he writes movingly about members of his family and community. We meet the brisk, arrogant ’Bigwig’, the fragile, elderly ’Audrey in Autumn’,...
Seren, 1991
www.seren-books.com
|
Time Pieces:
www.seren-books.com
|
The Breath of Sleeping Boys & other poems
Carreg Gwalch, 2004 www.carreg-gwalch.co.uk
|
The Breath of Sleeping Boys & other poems:
www.carreg-gwalch.co.uk
|
Mari d'Ingrid
Traduit de l'anglais par Gérard Augustin
Paul Henry dit que Mari d'Ingrid est "un livre de fantômes", un livre du "désir et (de) la perte d'amour", la quête et l'égarement d'amour. Fortement enracinée dans le quotidien, cette poésie n'en révèle pas moins le sacré qui se cache derrière chaque geste, chaque mot. Le "fantôme", c'est le présent réminiscent (et le poète se délivre ainsi de sa souffrance), c'est l'image secrète de notre vie, cette image tragique qui résume notre historicité.
|
Mari d'Ingrid:
www.editions-harmattan.fr
|